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L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	6	7	100%
	28	28	8	7	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	6	7	100%
	28	28	8	7	98%
Belcore	16	0	3	6	63%
Basse	7	0	1	5	38%
Ténor 1	8	0	1	5	36%
Ténor 2	8	0	1	5	32%
Soprano 1	7	0	1	4	16%
Soprano 2	6	0	2	4	16%
Nemorino	5	0	1	4	4%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
	14	1	3	3	78%
Viola	9	0	2	3	78%
Violin 1	8	0	1	3	78%
Violin 2	7	0	2	3	78%
Violoncello Continuo	12	0	3	3	78%
Bassoon Continuo	11	0	2	3	74%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Tenor 1	13	0	2	4	93%
Tenor 2	13	0	3	4	93%
Soprano 1	15	0	5	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	2	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	70%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Ténor 1	13	0	2	4	93%
Ténor 2	13	0	3	4	93%
Soprano 1	15	0	4	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	0	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	72%

Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]

Jamie Holdham

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
Violoncelle.	25	2	8	7	100%
2 FAGOTTE.	29	15	10	6	98%
1. VIOLINEN.	22	12	4	5	96%
4 HORNER in F.	17	0	5	6	96%
Contrabasse.	19	0	6	6	96%
Horn in F	14	0	4	6	88%
3 POSAUNEN.	13	0	4	6	82%
2 HOBOEN.	17	0	5	4	82%
BASS-TUBA.	23	0	5	6	79%
2 CLARINETTEN. in B.	15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).	12	2	1	6	77%
Bass Trombone	14	0	2	6	68%
PAUKEN (C u.G).	2	0	0	2	29%
2 GROSSE FLOTEN.	7	0	1	2	25%
C Trumpet	5	0	0	4	25%

Op.1 - L'ippopotamo

3ugman

1:24	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Bass	8	0	0	2	100%
Contrabass	8	3	2	2	86%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Bass	8	0	0	2	100%
Contrabass	8	3	2	2	86%
Timpani	6	0	0	1	86%
Trombone	5	0	0	1	71%
A Piccolo Trumpet	6	0	2	1	57%
Flute	9	0	0	2	43%

HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)

edward.maurath

1:02	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo (Continuo)	16	19	6	3	100%
	18	16	4	2	93%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo (Continuo)	16	19	6	3	100%
	18	16	4	2	93%
Florinda	10	0	1	3	100%
Violoncello (Continuo)	9	0	2	3	100%

HWV1A2N26 - Svenerò chi fa guerra a questo cor

edward.maurath

1:23	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	16	23	3	3	100%
	17	2	2	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	16	23	3	3	100%
	17	2	2	4	100%
Violoncello Continuo	16	0	2	4	100%
Violone Continuo	16	0	2	4	100%
Tenor as Osman	12	0	1	5	89%

Het mes

romainsings

1:28	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	13	2	7	95%
	14	14	3	5	93%
Contre-ténor	15	0	3	7	90%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	13	2	7	95%
	14	14	3	5	93%
Contre-ténor	15	0	3	7	90%

HWV19N9 - Sinfonia in g minor

edward.maurath

1:00	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
Bassoon Continuo	16	0	2	5	100%
Contrabass Continuo	16	0	2	5	100%
Viola	12	0	1	5	100%
Violoncello Continuo	16	0	2	5	100%
Vln 1	14	0	3	8	100%
Vln 2	13	0	3	7	100%
Oboe	19	0	5	8	94%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%